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Against The Grain. Changes in Japanese Cinema of the 1960s and early 1970s

A Symposium of the Austrian Japan-Society for Science and Art (AAJ) supported by the Japan Foundation.

Programme:

 

Monday, October 20th, 2003
14:45 Opening
15:00 Roland DOMENIG (University of Vienna)
"Vortexes and counter currents. The advent of independent film productions"
16:00 Mark NORNES (University of Michigan)
"Documentary codes in fiction cinema in times of political stress and artistic experimentation"
17:00 HIRASAWA Gô (film scholar, Tôkyô)
"Underground filmmakers and their struggle 1958-1976"
18:00 Surprise Film
Break
19:00 Film screening: Tenshi no kôkotsu (Ecstasy of the Angels, 1972)
Director: Wakamatsu Kôji
followed by a discussion with director and the producer Kuzui Kinshirô
21:00 Film screening: Tôkyô sensô sengo hiwa (The Man Who Left His Will On Film, 1970)
Director: Ôshima Nagisa
followed by a discussion with Hirasawa Gô

 

Tuesday, October 21st, 2003

15:00 Max TESSIER (Film critic, Paris)
"The Power of the Imaginary in the New Wave films of the 60s and early 70s"
16:00 Roberta Maria NOVIELLI (University of Venice)
"First traces of media contamination in Japanese Cinema of the 1960s"
17:00 YOMOTO Inuhiko (Meiji Gakuin University, Tôkyô)
"Cultural milieu on film and the city of Shinjuku"
18:00 Break
19:00 Film screening: Ryôma Ansatsu (The Assassination of Ryôma, 1974)
Director: Kuroki Kazuo
followed by a discussion with Kuzui Kinshirô
21:00 Film screening: Shinjû Ten no Amijima (Double Suicide, 1969)
Director: Shinoda Masahiro
followed by a discussion with Kuzui Kinshirô

 

The symposium was accompanying the retrospective "Art Theatre Guild. Independent Japanese Cinema, 1962-1984" (October 4th-30th, 2003), organized by VIENNALE and Österreichisches Filmmuseum.

Österreichisches Filmmuseum (Austrian Filmmuseum)
1010 Wien, Augustinerstrasse 1
www.filmmuseum.at